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THE FILM BOOK: A COMPLETE GUIDE TO THE WORLD OF FILM

by Ronald Bergan

(New York: DK/Penguin Random House, 2021)
Hardcover
Illustrated
360 pages
$25.00
ISBN: 978-0-7440-3459-2

Review by Dr. Kirk Bane,
Central Texas Historical Association

October 1, 2023
"Movie obsessive and former video-store worker Quentin Tarantino's big personality and bravura filmmaking have made him one of the few directors known the world over. His debut RESERVOIR DOGS (1991) set the template. The heist thriller grabbed the film world by the lapels with its sharp dialogue, ever sharper violence, and original structure. Follow-up PULP FICTION (1994) dialed these same elements up further, earning Tarantino an Oscar for a script that blended several crime stories. Later works have seen Tarantino exploring a wistfully reimagined past, rewriting World War II in INGLOURIOUS BASTERDS (2009), the Old West in DJANGO UNCHAINED (2012) and THE HATEFUL EIGHT (2015), and, most poignantly, the studio era in ONCE UPON A TIME…IN HOLLYWOOD (2019)." So observes film scholar Ronald Bergan in this richly illustrated, engaging, and comprehensive survey.

The author divides his volume into six sections: The Story of Film; How Movies Are Made; Movie Genres, including such categories as comedies, epics, melodramas, thrillers, and westerns; World Film; A-Z of Directors, which focuses on "100 of the world's most influential" filmmakers; and Must-See Movies, a "guide to the most important movies of all time." Bergan also provides a helpful Glossary of "the technical and critical terminology used throughout" his publication. Among the terms he includes are auteur, CinemaScope, rapid cutting, Sensurround, and Technicolor.

In his first section, The Story of Film, he offers a valuable chronological overview of motion picture history. Bergan divides these periods into The Birth of Film, 1895-1919; Silence is Golden, 1920-1929; Film Comes of Age, 1930-1939; Film Goes to War, 1940-1949; Film Fights Back, 1950-1959; The New Wave, 1960-1969; Independence Days, 1970-1979; The International Years, 1980-1989; and Celluloid to Digital, 1990 to the present.


A number of Texans appear in this work, including actors Steve Martin, Owen Wilson, and Joan Crawford and filmmakers King Vidor, Tex Avery, Richard Linklater, and Wes Anderson. Assessing Avery, Bergan contends that at "MGM, Tex Avery's anarchism was given free rein in a series of crazy cartoons that exploded the boundaries of the genre. Among the best of these cartoons were SCREWBALL SQUIRREL (1944) and KING-SIZE CANARY (1947)." And evaluating Anderson's 2014 film, THE GRAND BUDAPEST HOTEL, Bergan asserts that, "Anderson's regulars (Wilson, Jason Schwartzman, Bill Murray) and trademark visual quirks…abound in a hilarious comic caper. Drawing you in with Oscar-winning production design and a multi-flashback structure, the film is both in love with building fanciful worlds…and alert to the dark forces that might demolish them."

Professor Bergan, who passed away in 2020, taught at several institutions, including the Sorbonne, the University of Lille, and Florida International University in Miami. Moreover, he wrote for THE GUARDIAN and authored such studies as THE UNITED ARTISTS STORY (1986), THE LIFE AND TIMES OF LAUREL AND HARDY (1992), JEAN RENOIR: PROJECTIONS OF PARADISE (1994), A HAUNTED LIFE: A BIOGRAPHY OF ANTHONY PERKINS (1995), FRANCIS FORD COPPOLA (1998), and KATHARINE HEPBURN: AN INDEPENDENT WOMAN (2013).

THE FILM BOOK will appeal to cinephiles as well as casual movie fans. Check it out!

Review by Dr. Kirk Bane,
Central Texas Historical Association


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